Flickr Enters Downward Spiral

Traffic for Flickr

It seems like every year or two you see a Flickr is dying post that sparks a major conversation about whether or not the photography social network will survive. Unfortunately, it seems that the time may finally be arriving for one of the longest standing social networks out there.

The most recent round of the “Flickr is dying” debate happened two months ago right around when Yahoo! announced it would stop investing in the network and sell it off. That one was sparked by Photoshelter CEO Allen Murabayashi’s Petapixel rant (I am a Photoshelter user) and sparked a strong defense by Thomas Hawk (I am an active friend of Thomas’s on several social networks).

Murabayashi’s rant seemed motivated by his competitive service offering, but in hindsight the Yahoo! public lack of support at that time may have been the network’s undoing. Things are not the same on the network with interaction and dialogue feeling slow.

flickr vs 500px

It’s more than a seasonal slump, which you would expect with warmer weather and enthusiasts running outside to use their dusty cameras. While uber photography social network 500 Pixels has experienced a small decline in traffic, too, their overall page views have declined a little more than a half a percentage point since December. Flickr has declined by more than 4 percent, and is in danger of falling out of the top 200 websites globally.

Instagram comparison

The two photography sites are not quite the same with 500 Pixels catering to “serious” photographers, many of whom are pro or semi-pro, while Flickr serves more of the photo enthusiast and consumer crowd. Yet Flickr’s decline is palpable as consumers fly away to more attractive and easier to use options like Instagram. As a result, for the first time that I can remember Flickr is not ranked as a top 10 social network.

Yahoo! Chases Away Whole Groups of Photographers

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Remember when Flickr rebranded itself as a consumer site last year? The new interface has been lacking in my mind (as I noted last May). Load times are slow and the interface was wonky. Yet, this was Marissa Mayer’s grand plan to challenge Instagram.

At first traffic increased, but the new traffic was not the traditional photography enthusiast, semi-pros and pros that made up most of the social network’s audience. It was consumer who used their smartphones as point and click cameras. Meanwhile, the people that made up the more sophisticated photographers on Flickr began to leave for other places.

You know what? That worked for Apple when it stopped catering to the Quark and Final Cut crowd. But Yahoo! is not Apple, and so when the plane crashed this winter, things began to fall apart.

Weekly photo contests suddenly stopped. Load-time issues, upload snafus, and other bugs increased. Auto-upload support for nonpaying Flickr users was taken away. And on the last note, consumers began leaving (because pro-photographers rarely upload scores of photos at a time for anyone other than a client, and when they do they use DropBox or Google Photos or Photoshelter or…).

Can you blame this new generation of Flickr photography enthusiasts? Why bother? After all, other sites are easier to use, have more interaction, and if you’re going to pay, it may as well be with a more reliable entity than a company cutting itself into pieces for an estate sale.

So who’s left after the pro and consumer exodus? Enthusiasts who like to upload nature and landscape pics, often the domain of photography hobbyists. And if that’s what you do, good news! Flickr may still be right for you.

More difficult types of photography — portraits, architecture, nightscapes, monochrome, artificial lighting, etc. — do not perform as well, though. The number of photographers that could create those works are dwindling on Flickr as they seek other networks like the 500 Pixels and YouPics of the world. The feedback is faster and more meaningful there, peer-to-peer. As my friend Richard Binhammer (an infrared photography specialist) says, “My photos seem to be getting more pop on 500 Pixels.”

And event and selfie pics? We all know Instagram is the place for those.

Can Flickr Be Saved?

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A lot depends on who buys Flickr. Doc Searls made an impassioned plea for Adobe to buy the social network, saying that Flickr was the best site for serious photographers.

I’m not sure about the latter anymore, but I do believe Flickr still has value. I’m still there and still use it to house my library. I still get occasional media inquiries to use my pics from Flickr, too. I know others like Thomas Hawk haven’t given up, either.

The question is who will buy it? If Google or Facebook buys Flickr, I will be downloading all of my photos that day and closing my account. Warren Buffett would be more encouraging. At least you know Berkshire Hathaway would invest in the network again.

Maybe the right question is, “Will the sale be in time?” Each month that passes, engagement dwindles. Resuscitating a dead social network is beyond even the brightest minds as we have seen with many attempts to restore MySpace (sorry, Justin Timberlake) and Digg.

Whatever happens, Flickr has been good to me and many other photographers for the past decade plus. If it does fade away, it will be missed.

What do you think?

Understanding Photography on Instagram

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United Kingdom-based Digital Photographer Magazine interviewed me for their current edition (Magazine Issue #173) on Instagram best practices for photographers. The article is titled “Market Yourself on Instagram”, but it is gated, unfortunately. However, I did keep a copy of my answers, which you can find below.

DP: Do you use Instagram to post the same content as your other social media sites?

GL: When it comes to photography, yes, for the most part. I find that crossover between social networks – 500 Pixels to Facebook to Flickr to Instagram to Twitter – is minimal. Each network has its own audiences.

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Some photos don’t translate well due to the format, which almost forces you to be literal about the rule of thirds. For example, I love this Super Moon photo with the Washington Monument in the lower left for foreground (above), but it breaks the rules. It would never work in Instagram. The photo would be cropped either as another full moon photo, or a Washington Monument pic. Extended in a wide format it would be too small. So I wouldn’t post it in Instagram.

DP: How do you think the platform helps emerging photographers reach new audiences?

Nice of Kendall Jenner @kendalljenner to humor me with a selfie. #whcd #nerdprom

A photo posted by Geoff Livingston (@geoffliving) on


Me shamelessly promoting myself at the White House Correspondents Dinner.

GL: I think Instagram has become much more mainstream in the past two years, and is in many ways is starting to replace Twitter. So it’s a good place to brand yourself, regardless of your type of photography. But, for many of us that’s where it ends.

Portrait and wedding photographers could use it for lead generation, but it would require them to actually network with other people, like and comment. It would not work to just post pics for most. Instagram also has additional potential for photojournalists.

DP: Does Instagram’s limited format enhance or impinge creativity?

GL: I wrote four years ago about my dislike for most of the images, and I still don’t like it. LOL. What many of us would consider dodging or burning or adding a bit more yellow to the temperature is replaced with filters. And as a result, bad images are glossed over.

But for the average point and click person, it improves their efforts. And for all intents and purposes, that’s what smartphones have become, point and click cameras.

Most importantly, though, Instagram allows people to share their lives in a visual manner. Everyone uses visual media to communicate about their lives. Because of this viral social network, many more people are falling in love with photography. That’s a good thing.

Over time I have come to realize that Instagram makes good photography stand out that much more. It’s kind of like a Pultizer Prize caliber writer clearly distinguishes himself in an email correspondence compared to the average office worker’s prose. People can see which folks know how to communicate with a lens, and that’s where photographers start to brand themselves.

DP: How do you use hashtags and geotagging to increase your reach?

Misty Morning #blackandwhite #monochrome #forest #woods #mist #picoftheday #photooftheday

A photo posted by Geoff Livingston (@geoffliving) on

GL: I try to use at least five hashtags per pic, and geotag the photos with location. The reality is that this increases reach by 20-30% per pic. It exposes your work to people who search by topical area, news trend, and location. In my mind, that’s just smart marketing.

DP: In your opinion, what are its biggest drawbacks and advantages?

Walk this way. Featuring Fana Lv. #model #asian #asianmodel #walk #picoftheday #photooftheday

A photo posted by Geoff Livingston (@geoffliving) on

GL: The power of Instagram as its own type of social photography is both its biggest drawback and its greatest advantage. Instagram is life stream/photoblogging in my mind. Like blogging it can create a sense of expertise for inexperienced smartphone heroes. Within their medium they are just that.

But outside of Instagram, their photography may not be as strong. To successfully expand their skills, they may need more practice, or need to learn about lighting to take their photography to the next level, or might simply need to learn manual camera basics like ISO, aperture and shutter speed.

For an Instagram hero, this might be extraordinarily frustrating. They may simply retreat rather than grow and become the photographer they probably could be. This happened with many bloggers who were good writers, but could not conquer other media like magazines, books and traditional journalism.

A champion on one level is a neophyte on another.

Walk This Way Beauty Tight Crop Web

The same could be said for pro photographers who post their outstanding work on the network, and find it undiscovered. They are neophytes in social media and in particular, Instagram. So perhaps they walk away.

When these two worlds collide — the point and click heroes with the tried and true photography experts — is when photography grows and becomes a wider, more appreciated art form.

I came to photography ten years ago through blogging and social media, the need for original images was critical. But I would not be the photographer I am today if it were not for 1) a passion for creating visual art and 2) the expert photographers who took me under their wing, and showed me how to realize more of my potential. We need each other in this digital world.

And now my question to you, the reader: What do you think of Instagram from a pure photography standpoint?

Ten Years Gone

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Ten years is a long time. Ten years of blogging? Well, that seemed unfathomable back in 2006, yet, here we are. This week marks my tenth full year of blogging.

Things have changed so much since I began. Back then it was edgy, then it become profitable. Now, it seems passé and marginalized.

In 2006, writing something new and cool excited me. In the 2008-9 range, blogging was majestic, an exhilarating experience that brought attention, notoriety and opportunity. By 2011, it became a grind. Feeding the beast to stay relevant forced me into a daily blogging discipline.

Then after a series of private disappointing events related to my last business book something happened. I stopped giving a damn what other people thought of my blog. Relevancy, topic, edgy, not edgy. It just didn’t matter to me anymore.

Perhaps I realized what a fool I had been.

The Joy of Blogging Returns

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I still blogged once a week for a couple of years just to maintain presence, but when this year began I gave myself a gift. The weekly blog, a post I would write so often on Sunday night just to get it published, was an act of drudgery more often than not. There was little business value to it anymore, either.

So I decided to stop, and let myself off the blogging hook. No longer would I write on a schedule for my personal blog. Instead, I write now when the muse strikes me, and time permits. And that seems to be every two to three weeks.

What a relief. Freedom to write when I want to, what I want to.

When I press publish, I smile. The joy of blogging returns.

Forgotten Maybe, But Not Dead Yet

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I may be forgotten as a consequence of blogging less, but I’m not dead yet.

Now I still blog elsewhere for other people several times a week. They’re not blogs anymore, not really. I guess because saying what you think is not really marketing. Blogs have to be polished, relevant to target audiences, geared toward the larger customer experienced ecosystem. No, we call them articles now. It’s not the same thing.

Here, when it’s said, it’s meant. It’s a hell of lot less frequent, but there is a genuine authenticity to the blogs that you won’t find on a corporate “brand journal.”

Getting there again was a process. Ten years teaches you if you’re still blogging, it’s because it resolves some sort of creative angst within you. It’s old school. It’s a bonafide antiquated blog, said when it wants to be said.

Ten years gone. “Then as it was, then again it will be.” And here we are, back where we started.

The Transparency Failure

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Transparency was the ideal of the social media age in its apex. But as the years have marched on, we have seen that society is not ready for transparency.

Life as an open book is uncomfortable.

When we see open human nature, we punish people for it, hold them accountable for oddities, and for breaking social norms. Or worse, those naked conversations turn into dinner room and Sunday phone call lectures with parents. Bosses and HR engage in brand control. Spouses get jealous when they see conversations with colleagues and friends.

Let us not discount what happens when every action becomes catalogued within the corporate world’s marketing databases. Retargeted precision spamming happens in earnest.

We have seen ourselves — humanity — for what it is, and we became punitive. As posters, we have become self conscious. We let companies exploit our actions. And now when it comes to those naked conversations more often than not we say, “No, thank you.”

The reality of transparency is that human beings — all of us — are very flawed. We’re not ready to see our lesser selves.

Recent Events Crystallize the Transparency Failure

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Seeing the Obama administration chastise media for not digging deep and demanding transparency from into presidential candidates was quite a laugh. Hypocrisy could not find a better definition than the president’s public lecture.

The Obama campaign was elected on the promise of transparency, and then systematically shut down the media in its many attempts to seek information. Keep in mind this information should have been provided under the Freedom of Information Act. No, I think Obama’s manipulation of social media in particular, failure to provide access, and pandering to the public with silly tricks (remember the Death Star letter from NASA?) really typifies the failure of this medium.

Then there is the ultimate in transparency — sort of — The Donald. The more we know about the authentic Donald Trump, the more exposure he gets via Twitter and political gaffes, the less Americans like him.

Don’t get me wrong. I think this growing negative whiplash is a good thing for our country, but if you want to be a liked, are you going to offer a stream of consciousness on Twitter? Be transparent and be like Donald? No, no, you won’t. Sensible people mind their tongues.

Finally, the D’Angelo Russell gaffe last week put me over the edge. For those that missed it, the Laker rookie secretly videotaped teammate Nick Young talking about running girls behind his fiancee Iggy Azalea’s back. The video was leaked online, perhaps by a hacker, a SnapChat friend, or by Russell himself.

I totally agree that Russell broke protocol by not telling Young he was taping it. I also think the story as reported by the media missed a critical point. Young was cheating. He kind of deserves whatever he gets, forgiveness after trial-by-fire or broken nuptials.

In addition, anyone familiar with the NBA knows this kind of womanizing is par for the course in the league. We just don’t want to see it publicly. Transparency into what NBA players do in their relationships turns heroes into antiheroes.

Transparency, you say? No, let’s shoot the messenger and completely villanize D’Angelo Russell, a 20 year old kid who made a stupid mistake and broke the code. Perhaps the scandals of the NBA are too close to the truth for Americans. After all, we just recovered from the Ashley Madison scandal.

Why Dark Social Matters

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Part of being human is sharing experiences with each other. Sharing forms relationships. Yes, that includes the good Fakebook moments where we share our triumphs with friends and family. There is also an innate desire to share the bad, the daily trudge, the disgusting, and the naughty.

If you only post on the mainstay networks — LinkedIn, Facebook, Instagram and Twitter — then there is no quarter. You are subject to public indexing, ridicule, and shame. Sure, you could have a private Twitter or Instagram account, but the likelihood of a frequent user remaining private is relatively small. Locked down Facebook posts are also relatively few and far between (and still indexed by the Facebook marketing database).

Some people still post their unfettered truth. And there are some really cool people that I admire who do it, too.

But not everyone is so brave. Instead, most need to trust SnapChat AND hope their friends on there aren’t going to rat them out (sorry, D’Angelo Russell). Some choose the anonymity of Yik Yak or another network. Or create an anonymous handle and go “troll” on a main network (even if you aren’t attacking folks, many people are leery of anonymous handles).

Dark social is the only recourse for people who crave transparency with their inner digital circle and the few who relate with them.

Think about that. We have forced ourselves to hide our own actions. The private lives of people are digital now, but hidden from the common eye.

Public transparency for all has failed, my friends. Not because of the medium, but because of who we are.

What do you think?

SnapChat Is Social Media’s Ultimate Revenge

Snapchat

Watching the social media marketing world talk about SnapChat has offered quite a few laughs. Most marketers hate it. They just don’t know what to do with it. They paint SnapChat as a way to talk to “young people” or millennials, perhaps a sign on how much the original generation of social media voices has aged.

Snapchat is pure and unaccountable. It’s really what social media was meant to be, a real goofy conversation between people. In that sense, perhaps SnapChat is social media’s ultimate revenge on businesses.

There are no parents, no employers, no tracking algorithms available to the common user or even most of the brands participating online. If someone wants to post private media to select followers, they can bypass their story and go dark. And, if someone doesn’t want to view your content, they simply don’t. Even if you pay to get your content featured in the Discover or Live areas, people have to opt in.

In my mind, Snapchat is almost pure, (yes, there are those paid content channels) uninhibited social media. That’s why it does not compute to those who want to track mentions, push brand messaging, and sell product.

It’s about people sharing experiences — silly, inane, and/or serious — with one another. Overt messaging usually fails here. That’s why corporate communicators would rather throw their hands down and quit, writing SnapChat off as a silly Millennial network.

The Untrackable Defies the Analytics Age

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Perhaps the most confounding aspect of SnapChat is its lack of analytics and accountability for small and medium-based business marketers. In essence, the network is a walled garden.

Sure, you can advertise and get better analytics. But right now, you’d better bring a cool half million to the table for your entrance fee. Even getting a geofenced overlay can cost a pretty penny when compared to a Facebook boost or a Twitter ad.

The thing that SnapChat has going for it is its dark nature. Protecting customer integrity and their ability to post really interesting and generally (but not always) private social content is a huge differentiator.

Consider this. You can bash most brands on SnapChat and they will probably never find the complaint. Literally someone would have to screen capture it and send it to the social media manager. On Twitter, you’ll get stalked by someone trying to get you into private message land. If the complaint gets loud enough on Facebook, though less likely, you’ll probably have a customer service rep show up.

Then there’s the whole parental/employer thing. How many of you readers have decided not to post something because others would see it?

See, when social media is untrackable, it gives users a sense of ease about what they are posting. This free feeling is false. We all know what’s posted digitally can be picked up and sent anywhere, but nevertheless SnapChat has made it difficult. So analytics be damned, [young] people love their SnapChat.

Perhaps SnapChat really is the domain of the intern, as some older marketers would have it. At least the intern, won’t try to insert the brand in every post!

What do you think?

Consulting and Photography in 2016

 (Geoff Livingston)

(The Space Shuttle Discovery)

Several folks have asked what I am doing now on the professional front in the post Tenacity5 era. I am focusing on independent consulting and photography in 2016.

Consulting remains my primary focus as it is my most valuable skill, and the one companies need the most. Give them what they want as they say, and it is something I feel very comfortable doing. I will say that I am being a bit more selective about clients as it is just me, specifically no ongoing community management accounts or the like.

This also means I will not build a new agency or a larger marketing company. Part of my reasoning to end Tenacity5 was that I did not want to invest the energy into starting a new company anymore. That remains as true now as it did six months ago. However, I am keeping the Tenacity5 site up to describe the services I am offering, but have deleted the primary Tenacity5 social media properties.

What About the Photography?

 (Geoff Livingston)

(Early Morning at Pier 3)

On the photography front, I am getting hired more frequently as a pro photographer, which is awesome! In fact I have three jobs this week alone, which is pretty cool. Overall, photography makes up about 10-15% of my current income, and for that I am grateful.

However, the fine art and landscape photography, while certainly a driver of social media engagement, is not producing great amounts of revenue. I believe this is in part due to distribution.

Combined, the photography is not enough to earn a living. I am exploring some possible gallery and distribution methods, but none of these will be a quick fix. Even if I am able to get my own space, I don’t anticipate that photography will become my primary business. Things could change, you never know, but for now it’s a nice secondary revenue stream.

If you want to help with my photography business you can buy or license a photo, or you can hire me to perform work for your business or custom portrait shots. I am referring personal events to my friend Camille Catherine.

What About a Job?

 (Geoff Livingston)

(Under the El)

I did conduct a job search for several months, and while there were some near misses, things have not worked out. Some of the experiences reminded me of why I left corporate America 10 years ago. Perhaps that’s a good thing.

Rather than continue the search, I have stopped looking completely. There will be no commute for me. Instead, I am taking the aforementioned consulting and photography route. I am able to do this thanks to my wife Caitlin, who successfully rejoined the government contracting community this past October.

That does not mean I won’t take a job or won’t listen to opportunities, but it is no longer a direction I am actively seeking.

I do want to thank everyone who inquired about what’s going on. You are good friends.