Which of these 5 Photo Networks Is Right for You?

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Most pro and enthusiast photographers want people to see their photos, and that means promoting your work online. A wide range of options are available to photographers from branded networks like Fstoppers and National Geographic all the way to mega-networks Facebook and Twitter. There are also five social networks that have distinguished themselves with content focusing primarily on photography; 500 Pixels, Flickr, Google Plus, Instagram, and YouPic.

Unfortunately, one person cannot be in all these places. It’s probably best to do well on one or two of these networks unless you have the time to invest in a serious social media marketing campaign. That’s why you will need to select the right place for you and your content.

Here is a brief review of all five networks in alphabetical order.

500 Pixels

500px
If you followed our Kickstarter campaign for the Trioplan 50, then you know we like 500 Pixels quite a bit. This social network is filled with serious photographers, people who are committed to their craft and want to excel. Most of the photographers’ expertise levels range from professional to serious amateur.

500 Pixels has some really strong features for photographers who are just getting established. You can host your portfolio on 500 Pixels, and you can also license your photos via their site.

If you are on 500 Pixels, please follow me there.

Flickr

Flickr

The original photo sharing social network, Flickr has suffered quite a bit of criticism of late thanks to parent company Yahoo!’s missteps and woes. As a result, traffic on the social network has suffered as of late.

Still the social network has its strengths, including incredible search traffic for photographers who are seeking to be discovered via free Creative Commons licensing. The community tends to range from serious enthusiast to consumer. It also serves as a photo storage network. If you want to see the best of Flickr, check out its daily Explore feature. Also, a new owner (Verizon) may create a momentum change. We shall see.

You can follow me here on Flickr.

Google+

Google+

If you are concerned about Flickr losing traffic, then be very concerned about Google+. The network has waned in the past two years as Google reduced its commitment to the network.

With most casual users gone, this is a network that primarily serves photographers now, and there are many vibrant photography communities there still. Like Flickr, Google+ offers photo storage via its Google Photos service and that is its saving grace, in my opinion.

I am currently inactive on Google+.

Instagram

instagram
Instagram is the largest photo social network, and competes with Facebook and Twitter. Instagram is definitely a consumer network, but there are many photographers on the network who share their images with friends, family, fellow photographers, and yes, potential clients.

This is a great social network for branding your photography business or just sharing pictures with friends. It will give you the most access to wide varieties of audiences, but offers the least control over your images as anyone can re-share your photos.

If you are on Instagram, please follow me there.

YouPic

YouPic

The newest of the photo-based social networks, YouPic offers a more gamified version of social networking. There are contests, user feedback, and levels of photography excellence. Because YouPic is newer than the others, it is easier to make a big name for yourself on the network.

It’s definitely a network of reciprocity. The more you give, the more others will remark on your photos. Of course, the design is meant to keep you engaged and posting, too. Unlike 500 Pixels and Flickr, you don’t have to pay to get access to analytics, which is nice.

I am on YouPic, but am an infrequent contributor.

What do you think of these five photography networks?

A version of this blog was originally published on the Meyer Optik Goerlitz blog, and was authored by Geoff Livingston.

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Flickr Enters Downward Spiral

Traffic for Flickr

It seems like every year or two you see a Flickr is dying post that sparks a major conversation about whether or not the photography social network will survive. Unfortunately, it seems that the time may finally be arriving for one of the longest standing social networks out there.

The most recent round of the “Flickr is dying” debate happened two months ago right around when Yahoo! announced it would stop investing in the network and sell it off. That one was sparked by Photoshelter CEO Allen Murabayashi’s Petapixel rant (I am a Photoshelter user) and sparked a strong defense by Thomas Hawk (I am an active friend of Thomas’s on several social networks).

Murabayashi’s rant seemed motivated by his competitive service offering, but in hindsight the Yahoo! public lack of support at that time may have been the network’s undoing. Things are not the same on the network with interaction and dialogue feeling slow.

flickr vs 500px

It’s more than a seasonal slump, which you would expect with warmer weather and enthusiasts running outside to use their dusty cameras. While uber photography social network 500 Pixels has experienced a small decline in traffic, too, their overall page views have declined a little more than a half a percentage point since December. Flickr has declined by more than 4 percent, and is in danger of falling out of the top 200 websites globally.

Instagram comparison

The two photography sites are not quite the same with 500 Pixels catering to “serious” photographers, many of whom are pro or semi-pro, while Flickr serves more of the photo enthusiast and consumer crowd. Yet Flickr’s decline is palpable as consumers fly away to more attractive and easier to use options like Instagram. As a result, for the first time that I can remember Flickr is not ranked as a top 10 social network.

Yahoo! Chases Away Whole Groups of Photographers

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Remember when Flickr rebranded itself as a consumer site last year? The new interface has been lacking in my mind (as I noted last May). Load times are slow and the interface was wonky. Yet, this was Marissa Mayer’s grand plan to challenge Instagram.

At first traffic increased, but the new traffic was not the traditional photography enthusiast, semi-pros and pros that made up most of the social network’s audience. It was consumer who used their smartphones as point and click cameras. Meanwhile, the people that made up the more sophisticated photographers on Flickr began to leave for other places.

You know what? That worked for Apple when it stopped catering to the Quark and Final Cut crowd. But Yahoo! is not Apple, and so when the plane crashed this winter, things began to fall apart.

Weekly photo contests suddenly stopped. Load-time issues, upload snafus, and other bugs increased. Auto-upload support for nonpaying Flickr users was taken away. And on the last note, consumers began leaving (because pro-photographers rarely upload scores of photos at a time for anyone other than a client, and when they do they use DropBox or Google Photos or Photoshelter or…).

Can you blame this new generation of Flickr photography enthusiasts? Why bother? After all, other sites are easier to use, have more interaction, and if you’re going to pay, it may as well be with a more reliable entity than a company cutting itself into pieces for an estate sale.

So who’s left after the pro and consumer exodus? Enthusiasts who like to upload nature and landscape pics, often the domain of photography hobbyists. And if that’s what you do, good news! Flickr may still be right for you.

More difficult types of photography — portraits, architecture, nightscapes, monochrome, artificial lighting, etc. — do not perform as well, though. The number of photographers that could create those works are dwindling on Flickr as they seek other networks like the 500 Pixels and YouPics of the world. The feedback is faster and more meaningful there, peer-to-peer. As my friend Richard Binhammer (an infrared photography specialist) says, “My photos seem to be getting more pop on 500 Pixels.”

And event and selfie pics? We all know Instagram is the place for those.

Can Flickr Be Saved?

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A lot depends on who buys Flickr. Doc Searls made an impassioned plea for Adobe to buy the social network, saying that Flickr was the best site for serious photographers.

I’m not sure about the latter anymore, but I do believe Flickr still has value. I’m still there and still use it to house my library. I still get occasional media inquiries to use my pics from Flickr, too. I know others like Thomas Hawk haven’t given up, either.

The question is who will buy it? If Google or Facebook buys Flickr, I will be downloading all of my photos that day and closing my account. Warren Buffett would be more encouraging. At least you know Berkshire Hathaway would invest in the network again.

Maybe the right question is, “Will the sale be in time?” Each month that passes, engagement dwindles. Resuscitating a dead social network is beyond even the brightest minds as we have seen with many attempts to restore MySpace (sorry, Justin Timberlake) and Digg.

Whatever happens, Flickr has been good to me and many other photographers for the past decade plus. If it does fade away, it will be missed.

What do you think?

Meet Joseph Mwakima, the Ultimate Community Manager

In online circles we believe a community manager is someone who cultivates and activates a group or a brand following on a social network. In Africa I met the ultimate community manager, Joseph Mwakima, a fellow busy activating his community and inspiring change in Kenya’s Kasigau Corrdidor REDD+ (Reducing Emissions from Deforestation and Degradation) Project area through word of mouth.

But unlike his American counterparts, Joseph doesn’t use a Facebook Group, Instagram or Twitter as primary tools of his job (though he is on those Wildlife Works community relations officer, he regularly meets with people engaged in projects throughout the region.

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Joseph could have gotten a job in the city. He has a wife and baby, and could easily justify seeking more bountiful land. He’s also college educated, speaks fluent English, and is well travelled. But he instead came back to the region he calls home to make a difference. His community needs him, as does the overall Wildlife Works effort.

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A variety of issues are impacting the region, including rapid deforestation through slash and burn farming and charcoal harvesting, a lack of jobs in the community, and disappearing wildlife. The REDD+ Project Joseph is part of seeks to counteract challenges with a sustainable community development program that creates jobs and protects the forest.

Joseph Talikng to Us

I got to see Joseph at work, thanks to working with Audi as part of its documentary project produced by VIVA Creative (you can see Joseph talking to the VIVA team above). Audi supports Wildlife Works as part of its carbon offset program that compensates drivers for the manufacturing and first 50,000 gas-driven miles of the new A3 e-tron being released this fall.

Widespread Community Activation

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Nestled between Kenya’s Tsavo East and West National Parks, the Kasigau Corridor REDD+ Project is widely considered to be a leader in sustainable carbon offsets. Wildlife Works applies a wide set of innovative market-based solutions to the conservation of biodiversity.

Joseph works in the community to socialize the solutions and encourage adoption of them. Here is what I witnessed Joseph doing:

World Environment Day

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Marasi Primary School hosted a World Environment Day celebration the day after we (the documentary team) arrived. It acknowledged many of the positive changes that have occurred as a result of the community’s fight to stop deforestation. There, I watched Joseph help a child plant a tree, speak with children, and converse with many of the community leaders in attendance.

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The school in many ways symbolizes the future of the corridor. In total, Wildlife Works pays for the school fees of more than 3,000 students in the area, including partial scholarships for some college students. Most people who work for Wildlife Works reinvest their wages in their children’s education.

Rangers

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In this picture below you can see Joseph talking with several Wildlife Works Rangers. The rangers are an 80+ person ranger corps that protects wildlife throughout the corridor’s 500,000 acres from poachers seeking ivory. They also stop people from slash and burn farming or from simply cutting down trees for charcoal. So part of Joseph’s job is explaining to them why the rangers are stopping them from using the forestland, and what alternatives they have.

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We spent seven days in the company of Joseph and Evans and Bernard, two of the Wildlife Works Rangers. I was impressed by their work, their passion for the wildlife in the Project area, and the danger they face from poachers. A poaching incident occurred on my last day in Kenya, and the pain was evident on their faces. You can see the rangers at work in the Animal Planet reality TV show “Ivory Wars.”

Eco-charcoal

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Instead of slash and burn farming and chopping down forests for charcoal production, Wildlife Works offers new alternatives to citizens. These include job opportunities, smarter farming education, and alternative methods of creating charcoal. This latter effort — the creation of eco-charcoal — offers an innovative, yet pragmatic approach to fuel.

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Joseph showed us how the eco-charcoal is created. Teams clip small branches, collect fallen tree limbs, and burn them. The ash is then mixed with a pasty substance, and poured into casts for eco-charcoal bricks. The end result is a brick that burns longer and better than the charcoal most Kenyans make when cutting down trees.

Women’s Groups

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Joseph introduced us to three different women’s groups in the region. The loosely knit associations of women engage in entrepreneurial activities like producing arts and crafts that are sold in the U.S. and Europe through Wildlife Works. In all, there are 26 registered women’s groups in the Corridor, touching 550 women, or four percent of the total population.

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The women use the resulting money to build clean water tanks, buy solar lights and clean cook stoves for their households, and provide an education for their children. Husbands see the positive impact on their households and are encouraging their wives’ newfound roles in the Kasigau community.

Joseph Small

These are just some of the programs that Joseph supports in the community. Wildlife Works engages in other economic development actions such as textile production, better farming practices and more to build a sustainable future for Kasigua Corridor REDD+ Project Area.

This type of community management shows the real-world impact that such a role can have in the right situation. When local people like Joseph interact with the community and serve as a liaison for Wildlife Works, adoption of sustainability programs increases, and ultimately transforms the entire region for the better.

Disclosure: Audi paid for me to visit Africa and capture content as part of a larger documentary that will be released this fall.